The Art In Cinema Film Studies Essay

The Art In Cinema Film Studies Essay Film is considered to be an important art form, a source of popular entertainment and a powerful method for educating   or indoctrinating   citizens. Film may be combined with performance art and still be considered or referred to as a film, for instance, when there is a live musical accompaniment to a silent film. The act of making a film can, in and of itself, be considered a work of art, on a different level from the film itself.. A road movie can refer to a film put together from footage from a long road trip or vacation. Intuitively, some films qualify as artworks and others do not. All film is art, though some of it is better art or higher art. This, it turns out, is not just a question for those with a special interest in film. It has interest for aesthetic value more broadly, because film can serve as a test case for definitions of art. Some theories of art seem too restrictive, because they prevent us from classifying certain films that are aesthetic masterpieces into th e category of art. The intentions of the creators in attaining status as art. Sometimes, however, creators do not conceive of their creations as primarily belonging to the class of artworks, but viewers come to recognize that they can be fruitfully regarded in this way. This is not to say that a work becomes art when its taken up by a art-consuming audience. A theory of that kind would face the difficulty of saying which audiences had the power of conferring art status. Moreover, audiences do not transform works into art, rather they discover that a works deserves to be regarded in that way. If this intuition is right, the key to understanding what makes a film count as art is what goes on in this discovery process. India is well known for its commercial cinema, better known as Bollywood. Almost every Indian is well versed with onscreen running around the trees singing songs, the fight sequences, twins meeting each other pachchees saal baad, topped with some dose of mush and lots and lots of spice. However there are other types of movies which focus purely on story- minus the masala. This genre is sometimes referred as Pheeka or Bina namak mirch wala (bland) kind of cinema. In addition to commercial cinema, there is also Indian art cinema, known to film critics as New Indian Cinema or sometimes the Indian New Wave. A true admirers of cinema and people who consider movie-making as an art call it the Offbeat or The Art House Cinema. Many people in India plainly call such films as art films as opposed to mainstream commercial cinema. From the 1960s through the 1980s, the art film or the parallel cinema was usually government-aided cinema. Such directors could get federal or state government grants to produce non-commercial films on Indian themes. Their films were showcased at state film festivals and on the government-run TV. These films also had limited runs in art house theatres in India and overseas. The Indian Art Cinema or the New Wave sometimes called has had a humble beginning. This genre doesnt boast of foreign locales, hopelessly expensive clothes or the big star cast. The sole strength of these kind of films is the story. The Indian Art Cinema has beautifully transformed and re-invented itself. From socially relevant topics of Child Marriage, Dowry, Female Foeticide, Widow Re-marriage to a simple love story. The Art film-makers have done it all. Its amazing to see how some of the very talented film-makers have gifted their audiences with some of their magnificent work. There is Shekhar Kapoor who beautifully told the story of a man struggling to make his illegitimate son a part of his family (Masoom) and we got one of the all time masala entertainers Mr India from the same director. The person who gave us Zubeida, Ankur and Manthan came up with something as entertaining as Welcome to Sajjanpur and the very recent Well Done Abba. The Gen-X today are more intelligent and open to a wide variety of topics. At the end of the day the purpose of the film and the audience should be served. The audience wants a good story and a really good way of putting it and thats what the film makers are supposed to do. Yes masala flicks are welcome but too much of masala can cause acidity! A good mixture of masala movies and intelligent cinema is what the audience wants. Brainless comedies work, but again not always. In this new context of art-house appeal to the mainstream, of limited box-office appeal is striking, if not, perhaps, inaccurate. On the other hand, general conceptions of art house have come to describe films simply on the basis of their production outside the Bollywood system, regardless of their status as conventional dramas or slightly offbeat comedies. Surely a film with a 30-crore budget, Bollywood stars, and wide release does not fit the standard art-house profile. And yet a documentary about global warming w ith art house written all over it-complete with its charisma-challenged star, Al Gore-enjoyed sold-out screenings at huge multiplex theaters across the globe. From the very inception of this genre, there has been a difference between art and commercial cinema. However with changing times this gap has been bridged. The themes of art movies have witnessed a change. The earlier trends in Indian Art movies were more specifically related to the Indian audience, while the recent incline is towards the global concept. Quite ideally therefore the Indian Art cinema has gradually emerged itself as a reflections of the happenings in the society. Now many of these Art Movies or small films are grossing major profits and competing for space at the big multiplexes as well as finding their audiences at the small cinemas devoted to specialty fare. What will be ideal is an exclusive chain national art house cinema multiplexes to mark the new era of these specialized cinema. The audiences today look out for good films rather than the serious or popular films. Hence once a while a multi-starrer movie bombs and a small budget movie like Aamir is much appreciated by the cine goers. The need for better subjects, the desire to watch something more feasible on the screen and the boredom that has set in with the regular candy floss cinema are some of the reasons for this apparent change. If this trend continues then the day is no far when there will be no commercial cinema or art cinema, but just good cinema and bad cinema. India is full of art and that is depicted in Indian movies. But a commercial or non commercial movie, both need art. Commercial movies need art in form of background, sets, getting a shot right. Both have got distinct way of describing art through movies. There are a number of genres and styles of Indian cinema that a viewer encounters, such as, romantic comedies, gangster films, horror films, westerns, melodramas, musicals and historical films. While some of these genres are present in Indian cinema, often as a consequence of the impact of the western films, the Indian filmmakers have also created some styles of their own, that are acknowledged as their own. This is clearly discernible in the popular tradition of filmmaking in India. The knowledge of Indian cinema provides an entry into the thought-worlds and performance-worlds to the people interested in this art. Many Indian film directors, right from the pioneers such as Dadasaheb Phalke to the modern ones like Yash Chopra, have deployed their creativity along with traditional forms of dance mime, folk classical music to enhance the communicated experience. Indian popular cinema has evolved into a distinctively Indian mode of entertainment by imaginatively amalgamating music dances also and the works of veteran directors like V.Shantaram. Guru Dutt and Raj Kapoor bear a testimony to this fact. So, through Indian cinema one can also enter the larger world of Indian aesthetics. Film makers like Ketan Mehta has made a movie on the life of 19th century painter Raja Ravi Varma named it as Rang Rasiya. Its a very artistic movie showing us the reality of the society in the 19th century. He had also directed Mangal pande which was againg very artistic from the sets to costume everything gave you the feel on the 18th century. Aushitosh Gowarikars Jodha Akbar is another epic story in which art played a very important role. To add on the list is devdas Sanjay Leela Bhansali did a brilliant job with art direction. Indian cinema has presented a detailed version of India from its different historical movies to its present scenario movies. The distinct genres of films depicted by the different filmmakers have helped in the study of India from a different and distinct angle of vision. Thus, one cannot help but realize the fact that indeed it has been the old traditions and the cultures that have actually framed the Indian cinema, which have been an encouragement to uplift India and make it one of the renowned countries in the world. By seeing the cultures and traditions of the distinct societies, people can examine their own country`s culture with fresh eyes and with a special vision and approach.

king mike :: essays research papers

Chapter 1 1)  Ã‚  Ã‚  Ã‚  Ã‚  The Four purposes of writing are to: inform, persuade, express oneself, and to entertain. To inform may be to further educate the reader on a topic of intrest such as taking care of pets. Trying to sway a reader on a topic such as wheather abortion is moral or not is an example of persuasive writing. Self expression is apearent in poetry along with personal essays. And any child who has ever been read to can tell you how entertaining writing can be. 2)   Ã‚  Ã‚  Ã‚  Ã‚  When writting a paper the audience is the most important thing to think about. You want to make sure the peice you are writting is not only entertaining to them so they will read it but also they can understand what you are trying to express. A third gradder would not be able to even comprehend, never mind enjoy a paper on quantum physics, nor would a physisist find much joy in reading See Spot Run . It is the audience that would be dictating what a good paper is and if they dont understand it they would most likely not like the paper. 3)  Ã‚  Ã‚  Ã‚  Ã‚  What is the audience’s educational level, age social class, and economical status? You don’t want to write on a topic that the audience will not or can not relate to whatsoever such as a 10 year old may not comprehend the stress of the great depression, they most likely just want to read to enjoy themselves.   Ã‚  Ã‚  Ã‚  Ã‚  Why will the audience read the writing? Is it to gain information, or be entertained, or maybe to try to understand a veiw on an issue that is presented. There neesd to be a purpose to all writing. If your audience wants to be informed then allow them to learn by providing details and well presented information.   Ã‚  Ã‚  Ã‚  Ã‚  How will the audience respond? If you have a hostile (opposing audience) then try to make your comments less agressive and follow them up with details and evidence to support your main themes. Having a neutral audience then you want to provide an effectively presented arument to persuade them to beleive in your veiws.   Ã‚  Ã‚  Ã‚  Ã‚  How much do they know about the topic? This will allow you to judge wheather you are saying too much or too little in your writting. If they have little to no knollage of the topic then be sure to explain things in great detail.

The Actual Real World in “The Heat Death of the Universe”

In today†s busy world, many people get so caught up in their own ambience that they overlook all the other things out there. Some people seem treat their surroundings as if it were their own â€Å"little world†, creating tunnel vision to the array of the actual real world and all the things that occur in it. Pamela Zoline addresses this and many other issues in the short story, â€Å"The Heat Death of the Universe†. This piece reports the abstract, somewhat crazy thoughts, of the world from an ordinary housewife to the reader. At first, these thoughts appear to be coming from a severely confused and mentally unstable person, with no point what so ever. Contrary to the evidence stated in the text, â€Å"Sarah Boyle is a vivacious and intelligent young wife†¦ proud of her growing family which keeps her busy and happy around the house† (192), the reader can see that the main character, Sarah Boyle, is quite unsatisfied with her place in life. This unhappiness stems from a wasted education, causing the apathetic housewife to resort to ceaseless contemplation, which shapes the life she has created for herself and the home she is trapped in. The fact that Sarah Boyle was well-educated is pointed out clearly in the first few paragraphs, â€Å"Sarah Boyle is a vivacious and intelligent young wife and mother, educated at a fine Eastern college† (192). This fact can be also be easily deduced by the reader after observing the knowledge Sarah presents and the vocabulary she exhibits, such as â€Å"ONTOLOGY: That branch of metaphysics which concerns itself with the problems of the nature of existence or being† (191) and â€Å"ENTROPY: A quantity introduced in the first place to facilitate the calculations, and to give clear expressions to the results of thermodynamics† (193). Clearly, such words are not ones that would be regarded as common knowledge or everyday conversation topics. The terms used by Sarah throughout the story lead the reader to regard her as some type of advanced science major. In addition to the vocabulary usage, the manner in which her mind functions and the habits she displays also guides the reader to the same assumption. Sarah demonstrates scientific thinking methods constantly; always making lists, noticing irrelevant and abstract things, counting and lettering objects, constantly pondering ideas and concerned with factual matters. Sometimes she numbers or letters the things in a room†¦ there are 819 separate moveable objects in the living room†¦ she is passionately fond of children†s dictionaries, encyclopedias, ABCs and all reference books† (193). Combining all these facts, statements, and observations the reader deduces Sarah Boyle as a scientifically educated, intelligent woman: Which leads to the question, why is Sarah a housewife? This thought seems to reoccurringly pass though Sarah†s mind as well. The mannerisms that Sarah Boyle displays evident the fact that she is unhappy with her position in life as a housewife; she feels that her education is worthless here, causing her to feel unchallenged and bored, which only leads to endless contemplation in the world she has chosen. The largest indicators of Sarah†s unhappiness are the notes that she leaves throughout the house, such as â€Å"Many young wives fell trapped. It is a contemporary sociological phenomenon† and â€Å"Help, Help, Help, Help, Help† (193). In addition to these notes, rarely does Sarah ever talk about her family; which is highly contrary to the expectations of the common housewife. When she does refer to her family, the statements are quite short, uncaring, and undescriptive. â€Å"Today is the birthday of one of the children† (192). Speaking of her family life, never does she mention a husband. Sarah only makes remarks of a questionable nature about her children, she doesn†t seem to display the motherly love or compassion one would expect; in fact, several places in the short story, the comment is made that â€Å"Sarah Boyle is never quite sure how many children she has† (196). This comment leaves the reader confused and, in addition to the numerous derogatory and confusing references made to children throughout the story, causes the reader to think that she doesn†t care for her children at all. Looking at some of the statements she makes, this is quite possible. In one situation she conceives the idea that a cereal may cause cancer, â€Å"Perhaps something is terrible wrong with the cereal†¦ Perhaps it causes a special, cruel Cancer in little children†¦ she imagines in her mind†s eye the headlines†¦ † (192). Irregardless of this idea, she excessively feeds the children the cereal â€Å"great yellow heaps of it† (192) and even goes out to the store to buy more â€Å"shopping in the supermarket†¦ a box of Sugar Frosted Flakes†. These facts combine to produce the result that she does not care if her children get cancer. Also, Sarah feels that â€Å"housework is never completed† (197), resulting in a never-ending task, that eventually drives her insane. All evidence in mind, it becomes clear that she is unhappy as a housewife, causing her to constantly create crazy ideas with her unapplied education, driving herself into an unstable mental state. With no appropriate way to apply the education Sarah has received, she resorts to using it in the only place she has as an option, her home. She starts to devise a parallel between her house and the universe. She falls back on her education and implements the theory of entropy and the â€Å"heat death of the Universe† into her own homemaking skills. According to these theories combined, â€Å"The total ENTROPY of the Universe therefore is increasing, tending towards a maximum, corresponding to complete disorder of the particles in it†¦ he Universe constitutes a thermodynamically closed system, and if this were true it would mean that a time just finally come when the Universe â€Å"unwinds† itself, no energy being available for use† (200). Sarah applies this theory in her housekeeping techniques, thinking that the more organized she is, the less disorder she creates. Therefore, she is not contributing to entropy in her own Universe, her house. Keeping entropy at a constant therefore would not contribute to the â€Å"heat death of the Universe†. Evidently, this abstract thinking is indicating some mental problems. At the end of the short story, Sarah displays a mental breakdown, combining all the unexplainable ideas that float though her mind in a physical and mental explosion. Throughout this short story, Pamela Zoline effectively addresses many relevant issues in today†s society. Through a common housewife, Sarah Boyle, the reader can observe the daily trauma and feeling of worthlessness that one may experience at what it can result in.

Pride and Prejudice Characters

'Pride and Prejudice' Characters In Jane Austens Pride and Prejudice, most of the characters are members of the landed gentry- that is, non-titled landowners. Austen is famous for writing sharp observations of this small circle of country gentry and their social entanglements, and Pride and Prejudice is no exception. Many of the characters in Pride and Prejudice are well-rounded individuals, particularly the two leads. However, other characters exist largely to serve the thematic purpose of satirizing society and gender norms. Elizabeth Bennet The second-eldest of the five Bennet daughters, Elizabeth (or â€Å"Lizzy†) is the novels protagonist. Quick-witted, playful, and intelligent, Elizabeth has mastered the art of being polite in society while holding tightly to her strong opinions in private. Elizabeth is a sharp observer of others, but she also has a tendency to prize her ability to pass judgments and form opinions quickly. She’s often embarrassed by her mother and younger sisters’ indelicate and rude behavior, and although she’s acutely aware of her familys financial standing, she still hopes to marry for love rather than convenience. Elizabeth is immediately offended when she overhears criticism of herself expressed by Mr. Darcy. All her suspicious about Darcy are then confirmed when she befriends an officer, Wickham, who tells her how Darcy mistreated him. As time goes on, Elizabeth learns that first impressions can be mistaken, but she remains angry at Darcy for meddling in her sister Janes budding romance with Bingley. Following Darcy’s failed proposal and subsequent explanation of his past, Elizabeth comes to realize that her prejudices have blinded her observation and that her feelings might be deeper than she first realized. Fitzwilliam Darcy Darcy, a wealthy landowner, is the novel’s male lead and, for a time, Elizabeth’s antagonist. Haughty, taciturn, and somewhat antisocial, he does not endear himself to anyone upon first entering society and is generally perceived as a cold, snobbish man. Mistakenly convinced that Jane Bennet is only after his friend Bingley’s money, he attempts to separate the two. This meddling earns him further dislike from Janes sister Elizabeth, for whom Darcy has been developing feelings. Darcy proposes to Elizabeth, but his proposal emphasizes Elizabeths inferior social and financial status, and an insulted Elizabeth responds by revealing the depth of her dislike for Darcy. Although Mr. Darcy is proud, stubborn, and very status-conscious, he is actually a deeply decent and compassionate man. His enmity with the charming Wickham turns out to be based on Wickham’s manipulations and attempted seduction of Darcy’s sister, and he demonstrates his kindness by providing the money to turn Wickham’s elopement with Lydia Bennet into a marriage. As his compassion grows, his pride recedes, and when he proposes to Elizabeth a second time, it is with respect and understanding. Jane Bennet Jane is the eldest Bennet sister and widely considered to be the sweetest and prettiest. Gentle and optimistic, Jane tends to think the best of everyone, which comes back to hurt her when she overlooks Caroline Bingleys manipulative efforts to separate Jane from Mr. Bingley. Jane’s romantic misadventures teach her to be more realistic about the motivations of others, but she never falls out of love with Bingley and happily accepts his proposal when he returns to her life. Jane is a counterbalance, or foil, to Elizabeth: gentle and trusting in contrast to Lizzy’s sharp tongue and observant nature. Nevertheless, the sisters share a genuine affection and joyful nature. Charles Bingley Similar in temperament to Jane, it’s no wonder that Mr. Bingley falls in love with her. While he’s of very average intelligence and is a bit naà ¯ve, he’s also open-hearted, unfailingly polite, and naturally charming, which puts him in direct contrast with his reticent, arrogant friend Darcy. Bingley falls in love at first sight with Jane, but leaves Meryton after being convinced of Janes indifference by Darcy and his sister Caroline. When Bingley reappears later in the novel, having learned that his loved ones were mistaken, he proposes to Jane. Their marriage is a counterpoint to Elizabeth and Darcys: while both couples were kept apart despite being well-matched, Jane and Bingleys separation was caused by external forces (manipulative relatives), whereas Lizzy and Darcys early conflict was caused by their own character traits. William Collins The Bennets’ estate is subject to an entail that means it will be inherited by the nearest male relative: their cousin, Mr. Collins. A self-important, deeply ridiculous parson, Collins is an awkward and mildly irritating man who believes himself to be deeply charming and clever. He intends to make up for the inheritance situation by marrying the eldest Bennet daughter, but upon learning that Jane is likely to become engaged, he turns his attentions instead on Elizabeth. It takes a remarkable amount of convincing to persuade him that she is uninterested in him, and he soon marries her friend Charlotte instead. Mr. Collins takes great pride in the patronage of Lady Catherine de Bourgh, and his sycophantic nature and pompous attention to rigid social constructs means he gets along with her quite well. Lydia Bennet As the youngest of five Bennet sisters, fifteen-year-old Lydia is considered the spoiled, impetuous one of the bunch. She’s frivolous, self-absorbed, and obsessed with flirting with officers. She behaves impulsively, thinking nothing of eloping with Wickham. She then winds up in a hastily-made marriage to Wickham, arranged in the name of restoring her virtue, despite the fact that the match will surely be unhappy for Lydia. In the context of the novel, Lydia is treated as silly and thoughtless, but her narrative arc is also the result of the limitations she experiences as a woman in nineteenth century society. Mary Bennet, Lydias sister, conveys Austens sharp assessment of gender (in)equality with this statement: Unhappy as the event must be for Lydia, we may draw from it this useful lesson: that loss of virtue in a female is irretrievable; that one false step involves her in endless ruin. George Wickham A charming militiaman, Wickham befriends Elizabeth right away and confides to her his mistreatment at the hands of Darcy. The two carry on a flirtation, although it never really goes anywhere. It’s revealed that his pleasant nature is only superficial: he’s actually greedy and selfish, spent all the money Darcy’s father left to him, and then tried to seduce Darcy’s sister in order to get access to her money. He later elopes with Lydia Bennet with no intention of marrying her, but is ultimately convinced to do so by Darcy’s persuasion and money. Charlotte Lucas Elizabeth’s closest friend Charlotte is the daughter of another middle-class gentry family in Meryton. She’s considered physically plain and, while she’s kind and funny, is twenty-seven and unmarried. Since she’s not as romantic as Lizzy, she accepts Mr. Collins’ marriage proposal, but carves out her own quiet corner of their life together. Caroline Bingley A vain social-climber, Caroline is well-off and ambitious to be even more so. She’s calculating and, though capable of being charming, very status-conscious and judgmental. Although she takes Jane under her wing at first, her tone quickly changes upon realizing her brother Charles is serious about Jane, and she manipulates her brother to believe Jane is disinterested. Caroline also views Elizabeth as a rival for Darcy and frequently attempts to one-up her, both to impress Darcy and to matchmake between her brother and Darcy’s sister Georgiana. In the end, she’s unsuccessful on all fronts. Mr. and Mrs. Bennet Long-married and long-suffering, the Bennets are perhaps not the best example of marriage: she’s high-strung and obsessed with marrying off her daughters, while he’s laid-back and wry. Mrs. Bennet’s concerns are valid, but she pushes too far in her daughters’ interest, which is part of the reason why both Jane and Elizabeth nearly lose out on excellent matches. She takes to bed with â€Å"nervous complaints† quite often, especially following Lydia’s elopement, but news of her daughters’ marriages perks her right up. Lady Catherine de Bourgh The imperious mistress of the Rosings estate, Lady Catherine is the only character in the novel who is aristocratic (as opposed to landed gentry). Demanding and arrogant, Lady Catherine expects to get her way at all times, which is why Elizabeth’s self-assured nature irritates her from their first meeting. Lady Catherine likes to brag about how she â€Å"would have been† accomplished, but she is not actually accomplished or talented. Her greatest scheme is to marry her sickly daughter Anne to her nephew Darcy, and when she hears a rumor that he is to marry Elizabeth instead, she rushes to find Elizabeth and demand that such a marriage never take place. She is dismissed by Elizabeth and, instead of her visit severing any ties between the couple, it actually serves to confirm to both Elizabeth and Darcy that the other is still very much interested.

Rajneesh Movement

Rajneesh Movement Rajneesh Movement Rajneesh is a multicultural movement following the teachings of the mysterious Bhagwan Shree Rajneesh, an Indian extremist who lived between the years 1931 and 1990. It appears to be an amorphous peculiar religious cult which still has its following today. However, it can also be regarded as a terrorist group because of its subversive acts. Its threat was greatly felt in the 1970s and 1980s when it prolifically wrecked significant havoc to the communities living in India and Oregon. One of the major threats associated with this movement is bioterrorism. This is an act of intentionally releasing harmful microorganisms, like various viruses, bacteria and toxins, in order to poison, contaminate or even kill people. The emergence of this lethal act can be traced to the early 1980s when the cult members applied such methods to cause tension in Oregon City (Carter, L.F. E.Q. Campbell, 2000). They performed such actions because they were in dire need of influencing the local election in order to gain certain power and position in the newly established regime. Thus, the organization also resorted to other strategies like food poisoning. They believed that conducting such actions would help them to be much stronger than any other minority group in Oregon. Today, bioterrorism has become one of the major issues affecting the worlds security. Since the world and its societies have become more divided along religious and geographical lines, many people have taken advantage of this state of affairs to resort to the use of this deadly weapon in dealing with potential enemies. In the United States of America (USA), bioterrorism has been in existence since the attempt by the members of Rajneesh cult who deliberately poisoned 75 people. In other words, it has become a major threat to both the local, state and federal governments as well as innocent American citizens. Sporadic cases of bioterrorist activities have emerged in the recent past. For instance, in 2001, anthrax was used to kill at least five innocent Americans. Hence, the government has responded by instituting the US Army's 20th Support Command (CBRNE) and the United States Marine Corps' Chemical Biological Incident Response Force as specialized units to tackle the menace (Tucker, J .B. C.W. Seth, 2008).

Financial markets subject Research Paper Example | Topics and Well Written Essays - 3000 words

Financial markets subject - Research Paper Example Our analysis relates to the determinable impacts of the GFC on the middle-eastern financial markets with specific focus on the financial markets of Qatar and other Gulf Cooperation Council members. The widely known cause of the recession is the collapsing of the housing bubble in the US in 2006; the bubble was created as a result of lenient credit terms and easy initial availability of housing mortgages, based on the perception that property prices are always likely to appreciate. The initiation of easy credit was made by certain US based banks following the inflow of funds from the booming Asian markets. Collateralized Debt Obligations (CDOs), that were relatively recent financial instruments, promised residential properties as the security against default; this gave further incentive to the banks to lend out customized loans. The collapse, which resulted from rising interest rates leading to a multitude of defaults, caused a significant drop in the prices of securities that were co llateralized with the housing market. This, in turn, resulted in several financial institutions facing the risk of solvency as speculations regarding huge liquidity shortage rose, causing a great stir in the stock markets world-wide, ending up in record-setting lows (Rashwan, 2012). However several economists debate that financial markets in the middle-east, specifically the GCC countries, were somewhat shielded from the devastative impact that certain Western economies faced. Our analysis will highlight reasons on whether it would be fair to conclude this and if so, on what grounds can we claim economies relating to the gulf cooperation council as any different. Project Objectives: To present a brief reasoning behind the Global Financial Crises 2007-2009 To assess the difference between the impact of the Global Financial Crises on the western markets and in the GCC Countries To determine reasons why the financial markets in Qatar and other GCC countries responded to the crises diff erently To assess whether Islamic financing investments have a contribution to the lesser risk exposure of the gulf markets To draw conclusions on whether there are possibilities for western markets to open up avenues of introducing alternative financial instruments following the impact of the GFC Literature Review: We intend on looking up related literature in order to analyze the impact of the GFC on the middle-eastern financial markets, to devise a conclusive analysis on what factors were responsible for the relevant markets to react differently than most of the West, and to formulate deductive reasoning on whether an alternative form of financial instruments might prove to be a securer investment on the macroeconomic level. To obtain supporting information we will take assistance from a combination of primary as well as secondary sources of information, focusing primarily on related articles and scholarly journals. With the GFC being one of the major contributors for financial d ownturns in history, we hope to obtain appropriate market information that will be sufficient enough for us to reach conclusive grounds by the end of

Mobile Computing and Social Networking Essay Example | Topics and Well Written Essays - 1000 words - 1

Mobile Computing and Social Networking - Essay Example regards the transmission of personal medical information over wireless networks, and assessing the use of social networking for group support for patients with similar medical concerns. Firstly, with regards to comparing and contrasting the monitoring of patient vital signs using mobile computing technology to inpatient visits, it can immediately be noted that a massive amount of time can be saved with regards to such a monitoring process. Due to the fact that only the data will need to be analyzed and the patient himself/herself is not present at the doctor’s office, it is possible for the doctor/doctors in question to analyze and keep track of a great many more patients than they might be able to otherwise. With employees shortages evidenced in nearly each and every healthcare sector, this is a positive aspect that could be furthered in the future. However, with regards to some of the negatives that such an approach could generate, it must be noted that the responsibility of measurement and/or sustainment of the device/devices in question used to report this information would ultimately be in the hands of the end patient. Whereas in the doctor’s office a team of medical support staff are able to ensure that proper measurements are being affected, quite a different situation entirely is evidenced with regards to a patient being responsible for utilizing equipment in the correct way. In effect, the veracity of the information and key environmental factors must be taken into account with regards to the inference which can be drawn from the date of which is perceived. Similarly, an analysis of the advantages and disadvantages of using mobile computing technology to monitor patients will herein be engaged. With regards to the advantages which could be realized, it is necessary to note that a massive level of cost savings could be generated by maximizing time that the medical professionals have to devote to each subset of data. Whereas it is important to have personal contact and a discussion of complicated factors with the patient in question, oftentimes this personal contact eats in to the time that the medical professionals have to analyze key healthcare data that could otherwise be leveraged to make a positive overall impact upon the health of the individual. However, the converse view of this particular situation is one in which an impersonal and removed relationship exists between the healthcare professionals and patients. Although it is no doubt beneficial to maximize healthcare professionals time and increase the veracity of the information and data which can be accrued regarding file signs and healthcare information, achieving this at the risk of creating such an impersonal relationship between doctor and patient is a risk that carries a great deal of negative repercussions. Anytime a technology is employed it is necessary to consider the means by which security concerns can impact upon the way in which a particular